This past weekend I presented three installations from an ongoing project The Photographic Evidence at a 4608 pop-up store in Stockholm. 4608 is a clothing brand based in Stockholm, and the event was a release of their new collection inspired by George Orwell. I also made the photos for the collection look book, see here.
The Photographic Evidence is continuation for my graffiti related studies When Everything Comes Together but Nothing Makes Sense. The work is a collection of authentic visual evidence gathered form Swedish graffiti writers from their court cases. In the work I analyse the evidence, its visual language, relevance and objectivity, and present it along conversations or descriptions of the evidence. For the three installations that I presented this weekend I selected only evidence from CCTV footage, relating to Orwellian and dystopian society of constant surveillance and facial recognition we are heading to.